Wednesday, May 6, 2020

Essay on Pure Cinema - 1702 Words

Italian Neo realism; Pure Cinema 1. Ladri de Biccilette [Bicycle Thieves] (Vittorio De Sica) Do you agree with Andre Bazin that Ladri de Biccilette is an example of ‘pure cinema’? (Bazin [1971] p.60). To what extent is such a pure cinema possible and, in your opinion, which Italian Neo-realist film screened on the unit comes closest to it? Explain your reasoning. This essay will address the characteristics of ‘pure cinema’ and the extent of its practical nature. It also seeks to analyse the film Ladri de Biccilette whilst exploring the traits of pure cinema in this film. The definition of pure cinema refers to a cinema where real life is projected onto the screen in way that creates the illusion of reality. The more the†¦show more content†¦A group of German priests joins them and start to talk in German, which again felt very accidental. The camera films everybody until the rain stops without a single cut, contributing to this aspect of dead time. Ladri de Biccilette is a very successful film in creating natural and believable moments. While the worker and his son are off searching for the bicycle, there is moment where the child tries to urinate in street. This is an indication of profound realism, where even examples of the most private behaviour and dialogue are shared with the audience. The connection between the worker and his son is one of the most natural relationships existing in this film. Poverty almost closes the gap between the worker and his child, as the father does not have money and education to make him considerably superior. The family needs to send the young child to work and the worker needs his help and company to search for his bicycle. The dialogue between the father and son is like dialogue between two adults. The worker talks about their income and his strategies to attempt to improve their lives, while the son criticizes his dad when he created a situation which caused the old man to run away. T he most important part of the film is the last scene, where local people catch the worker as he runs away with the stolenShow MoreRelatedDirect Cinema Essay901 Words   |  4 Pages Direct Cinema The term direct cinema was coined by American director Albert Maysles, to describe the style of documentary that he and his contemporaries were making in the 1960s as a result of a lightweight, portable 16mm camera and high quality lightweight audio recorders becoming available. The introduction of these, together with film-stock which was sensitive enough to give a good quality close-up monochrome picture under most lighting conditions (IncludingRead MoreThe Art World Of The 1970 S Essay1328 Words   |  6 PagesShowing not only the possibilities of the film medium but also the power of art to influence societal views. Chantal Akerman’s films, while considered cinematic works also have an artistic sensibility and are thus classified within the realm of art cinema. Her most notable work, Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (1975) serves as a poignant critique of the male gaze. The film is constructed of numerous, elongated, static and often silent scenes of Jeanne, a single mother, completingRead MoreThe Mexican Golden Age Of Cinema875 Words   |  4 PagesGolden Age of cinema took place from 1936 to 1962, led by a group of filmmakers who pioneered Mexican film—Emilio Fernà ¡ndez, Gabriel Figueroa, Gloria Schoemann and Mauricio Magdaleno. Together, they created a distinctly Mexican identity expressed through film in response to the idea that much of Mexican culture was based on foreign ideas and influences. Describing the intent behind this new identity, Fernà ¡ndez said that he â€Å"understood that it was possible to create a Mexican cinema with our own actorsRead MoreHistory of Malayalam Cinema5498 Words   |  22 Pagesculture†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦.†¦2 * The early era (1907-1950s)†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦.†¦..3 * 1950s†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦..†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦.†¦6 * 1960s†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦..†¦Ã¢â‚¬ ¦.†¦Ã¢â‚¬ ¦8 * The Malayalam New Wave: 1970s†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦.†¦.10 * 1980s†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦..15 * Golden age of Malayalam Cinema†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦..†¦Ã¢â‚¬ ¦...17 * 1990s†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦..†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦.†¦19 * Early-mid 2000s†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦.20 * Late 2000s†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦.†¦.21 * 2010s to the present†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦.†¦..21 * Actors†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦..†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦22 * Kerala State Film Awards†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Read MoreCity of God (2002) Represents Violence and Poverty as Spectacle.3961 Words   |  16 Pagesthat distinctive aesthetic style of the film diminished what Ivana Bentes calls the ‘aesthetics of hunger’ in exchange for pure ‘cosmetic’ artistry[5]. In order to obtain an adequate understanding of the debate which surrounds City of God, it is essential examine various subjects. I firstly wish to obtain sufficient contextual knowledge of the modern favela in Brazil. The Cinema Novo movement similarly documents such issues as the poverty and the violence of the cangaà §o lifestyle addressed with inRead MoreEvolution of Indian Cinema3329 Words   |  14 PagesEvolution Indian Cinema A scene from  Raja Harishchandra  (1913) – The first full-length motion picture. And Devika Rani  and  Ashok Kumar  inAchhut Kanya  (1936). By GAURAV YADAV CESP (MA), 4th Semester Introduction India has one of the oldest and largest film industries in the world. Indian Cinema  is one of most vibrant cultural  products  and a major  industry  which is as old as  Hollywood  . It produces  around a quarter of the worlds  films; its 13,000 cinema halls have a daily audience of aroundRead MoreStreet Angel analysis2605 Words   |  11 PagesStreet Angel (1937) present? What does it say about issues involved in modernization? What symbols are portrayed in Street Angel (1937) Introduction Every country has specific famous era in which their cinema portrays the reality of their society, the 1930 s was the era in which China s cinema bent itself towards portraying society and modernization. A lot of distinctive features developed by Chinese film over the last hundred years are the result and testimony of the particular kind of interactionRead MoreThe Movie In A Grove By Akira Kurosawa1923 Words   |  8 PagesJapanese films as viable commercial entities in foreign markets, and established, once and for all, that the country’s austere approach to storytelling could be understood by viewers in the West† (Tatara). This film was a breakthrough for Japanese cinema, as well as Kurosawa’s directing career. The story begins with a samurai and his wife travelling through Japan, the woman on horseback and her husband walking alongside of her. They encounter a known bandit named Tajomaru, who is known for violenceRead MoreNew Currents Of European Cinema1270 Words   |  6 PagesNew currents in European cinema began to arise in the nineteen eighties. Globalization radically impacted the form and content of cinema much in the same way that it reshaped politics and economics. With the formation of the European Union, the destruction of the fracturing of the Soviet Republic, and the advent of the internet, artistic sensibilities began to blur across country lines. This is not to say that nations ceased to have their specific cultural relevancy within their films. Rather, theyRead MoreMovie Marketing6914 Words   |  28 Pagesin the communications industry because of its creativity, its diversity and its continual explosions of technological delivery options. PRICE At first glance, pricing in the movie industry seems very standardized. At any multiplex is cinema hall, a movie ticket costs the same for all movies, doesn’t it? But if we look into the broader definition of the movie product just defined, then the prices fluctuate widely. A distribution contract can be structured in many ways that result in

No comments:

Post a Comment

Note: Only a member of this blog may post a comment.